Greetings Reggaelovers!

Welcome to another Podcast by The Vineyard.
Since you seem to love soulreggae as much as myself I decided to make another Soulreggae Podcast.
If you should have missed the first one, make sure you heard it too.
http://thevineyard.podomatic.com/entry/2009-05-23T10_15_34-07_00

In this second chapter of Soulreggae we'll be taking a look at some classic covers as well as some original Jamaican soul. Many tracks were made in Studio 1 and you'll find even a hint of Disco and Funk in this podcast.

I really hope the message of love, peace & unity is not lost. We all need some more togetherness.

Please make a comment if you enjoyed this mix or if you know some fun fact not covered here.
Make sure you tell your friends as well. Thanks for listening and for your support.

Here's the Tracklist. Enjoy.


Otis Gayle - I'll Be Around

Originally this is by The Spinners from their debut in 1872. You can see a wonderful clip of them in action here: http://www.youtube.com/watch?v=NfG47NsWVYA&feature=related
The song was included on the group's 1972 self-titled album on Atlantic Records, their first album release for the label. It was initially released as the B-side of the group's first single on Atlantic Records, with "How Could I Let You Get Away" being the A-side. Radio deejays, however, soon opted for "I'll Be Around" which led to Atlantic flipping the single over and the song became an unexpected hit, eventually spending five weeks at number one on the U.S. R&B chart and reaching number three on the U.S. Pop chart in the fall of 1972.
Here we have Otis Gayle covering it brilliantly. Migrating to Canada in 1967, Gayle travelled all over the country doing shows, and even winning a Juno award in 1985 for his hit song, Heaven Must Have Sent You.
Born January 28, 1946 in Kingston, Gayle, singer, songwriter and veteran Studio One artist, began his musical career as a vocalist with Byron Lee and the Dragonaires. The singer performed with the group on the international circuit before he settled in Canada. Gayle also recorded a series of solo hits, notably this one. He returned to JA in 2005 where he continues to perform today.


Johnny Osbourne - We Need Love

If you prefer a visual version: http://www.youtube.com/watch?v=-y3Abv2ovkU
You obviously hear the same riddim as last song but here Johnny shows us his masterful talent for lyrics and song at its best. A true diamond of a song.


Earl Brown - Get Together

As far as I know, this is our first original soulreggae from JA, preformed by Earl Brown, who apart from this song was more a rhytm and blues sorta guy. Very little is known about this artist. This track used to be a rare gem, untill Souljazz releaced this again for the masses on their Jamaica Soul CD. Earl appeals for more unity and love in a true MoTown fashion.


Lloyd Charmers - I'm Gonna Love You Just A Little Bit More Baby

A beautiful cover by Lloyd Charmers of Barry White classic lovesong. Apparently this song was voted number one in the song people want to hear the most when they're making love. The origonal the song was a #1 hit on the U.S. R&B chart for two weeks, peaked at number three on the Billboard Pop Singles chart and reached #23 on the UK singles chart. The single was also certified gold by the RIAA for sales of one million copies.
Lloyd Charmers' professional career began in 1962, when he performed as The Charmers with Roy Willis on Vere Johns' Talent Hour, starting a recording career soon after. When The Charmers split, he joined Slim Smith and Jimmy Riley in The Uniques. Charmers subsequently moved on to a solo career, releasing two albums in 1970, and also recording x-rated tracks such as "Birth Control", and the album Censored, these more risqué outings appearing under his real name or as 'Lloydie and The Lowbites'. He later went on to producing, helping Ken Booth to rocket to the top of his career.

Jackie Mittoo - Deeper And Deeper

This is a continuation of the same song in a classic rendition by keyboard wizard Jackie Mittoo.


Richard Ace - Can't Get Enough

Another Barry White cover by Richard Ace, better know for his keyboard plays with The Gladiators, The Abyssinians and Burning Spear. He was a real soul/disco fan as he also made a cover from Staying Alive by the Bee Gees among some very nice other covers, worth checking out!

http://www.youtube.com/watch?v=QjuWsmzOeNg&feature=related


Devon Russell - Make Me Believe In You

This song was written by Curtis Mayfield and performed by a soul singer who had seen far insufficient spotlight; Patti Jo. Curtis Lee Mayfield was an American soul, rhythm and blues, and funk singer, songwriter, and record producer best known for his anthemic music with The Impressions and composing the soundtrack to the blaxploitation film Super Fly. From these works and others, he is highly regarded as a pioneer of funk and of politically conscious African-American music. Patti Jo was only sixteen at the time of recording the song. Unfortunately, little more is known about this terrific performer.
Ofcourse, here we hear an entirely different sound: the classic Techniques "You Don't Care" riddim and even some of the lyrics are adjusted. The tune was alse redone by Nora Dean with Barbwire, a.k.a Oh Mama. Who's popularity caused a dispute between session engineer Byron Smith and label owner Duke Reid over ownership of the song.


Noel Brown Bunny - It's Too Late

It's Too Late is a song from Carole King's 1971 album, Tapestry. It was covered by the Isley Brothers in a wonderful style and here as well by Bunny Brown. Bunny also features as a backing vocalist with B.B. Seaton and is another soul affectionado, making several more soul covers in his career.


Lloyd Parks - We'll Get Over It

A real original Jamaican Soulreggae classic, Lloyd is a former meber of Skin, Flesh & Bones but he started as a Rocksteady singer with The Termites. He also sang with The Techniques. His big song, ‘Officially’, was recorded in 1970 at Randy’s Studios. It was number one for six weeks on all Jamaican radio stations, and has played continuously on the local stations for over three decades. Another big song for Mr. Parks is Mafia. There are not many reggae musicians who have been in demand for 30 years. Parks' current band 'We The People' continue to be an engaging and impressive live force.


Sugar Minott - Love Gonna Pack Up

Originally by The Persuaders this song is probably known better for the version by Sly, Slick & Wicked. This seems a curse of the Persuaders since many of their other songs also became hits after other people covered them. Such as: Some Guys Have All The Luck (ironic), Thin Line Between Love and Hate and Best Thing That Ever Happened to Me.  
Sugar began his singing career as part of The African Brothers in 1969, along with Tony Tuff. Later became a studio apprentice at Dodd's Studio One, working as a singer, guitarist and percussionist, and soon began recording his own singles. He is regarded as pioneering the dancehall style that would dominate the early 1980s. He released over 60 albums and hundreds of singles. Minott died on 10 July 2010 at the University Hospital of the West Indies in St. Andrew, after being admitted there earlier that day with heart troubles. He will be missed by many reggae fans.


B.B.Seaton - Lean On Me

B.B started singing and writing songs from his high school days, and grew up listening to groups like Platters, Drifters, Temptations and the Four Tops. He had his first big hit in Jamaica when teaming up with Delano Stewart and Maurice Roberts to form "The Gaylads”. Seaton was the first reggae artist to be signed by Virgin Records, leading to the creation of the Front Line label.
Lean On Me is originally from Bill Withers in 1972. You can see the original here: http://www.youtube.com/watch?v=HaVXfHZv50Y
Withers' childhood in the coal mining town of Slab Fork, West Virginia was the inspiration for "Lean on Me", which he wrote after he had moved to Los Angeles and found himself missing the strong community ethic of his hometown. He lived in a decrepit house in the poor section of town. You know him from his other great hit: Ain't no Sunshine.


Ken Boothe - Let's Get It On

Let's Get It On is the twelfth studio album by American soul musician Marvin Gaye, released August 28, 1973 on Tamla Records. It has been noted by critics for its sexually-suggestive lyrics, and was cited by one writer as "one of the most sexually charged albums ever recorded". Let's Get It On became the most commercially successful album of Gaye's recording career, and it further expanded his creative control during his tenure with Motown.
You can see a wonderful live version recorded in Belgium here: http://www.youtube.com/watch?v=a_IeKcPamWg&feature=related
Ken Boothe needs no introduction since he has been a reggae legend since the 50's and made many classic rocksteady and reggae songs. He teamed up with e formed a duo with his neighbour Stranger Cole  at the start of his career but has since made countless solo songs as well as team-ups with artists. Boothe released "Everything I Own" on Trojan Records, which reached Number One in the UK Singles charts in 1974. He was awarded the Order of Distinction for his contribution to Jamaican music by the Jamaican government in 2003.


Marcia Griffiths - Children At Play

In 1970, as a duo, Marcia and Bob had an international hit with “Young Gifted And Black”. This track comes from her second album, produced by Lloyd Charmers for Trojan Records. The I-Threes first came together with Judy Mowatt and Rita Marley singing harmony on stage for Marcia. They then started to record and began touring with Bob Marley and the Wailers, from the release of his Natty Dread album onwards. This songs captures the essence of life as well as a true Jamaican Soulreggae tune.


Devon Russell - You Found Heaven

Devon was a Jamaican rocksteady and reggae singer and record producer who recorded between the 1960s and the 1990s, both as a solo artist and as a member of The Tartans and Cultural Roots. He was a deep lover of soul and he made numerous soul/funk/reggae songs as well. In 1996 his fourth album, Darker Than Blue, was a tribute to Curtis Mayfield wholly comprising Mayfield cover versions. This is an original I believe and a real beauty at that.


Willie Williams - No One Can Stop Us

A gem of a cover of McFadden & Whitehead's Ain't No Stoppping Us Now, which is an uptempo disco song. You can see the original here: http://www.youtube.com/watch?v=fVKjC_simy8
Willie Williams take however adopts a mellow soulful sound with perfect voice and sweet backing vocals by Jennifer Lara.
Willie He is known as the "Armagideon Man" after his hit, "Armagideon Time", first recorded in 1978 at Studio One in Kingston. The song was covered by The Clash as the flipside of their "London Calling" single.


Myrna Hague - Touch Me Baby

Myrna Hague, known as 'Jamaica's First Lady of Jazz', is a Jamaican lovers rock and jazz singer and actress. This lovers/soul conversionhas that distinct Studio 1 feel all over.


Cornell Campbell - My Baby Just Cares For Me

"My Baby Just Cares for Me" is a jazz standard written by Walter Donaldson with lyrics by Gus Kahn. It was written for the 1930 film version of the 1928 Ziegfeld musical comedy Whoopee!, starring Eddie Cantor. It is known as the signature tune of singer and pianist Nina Simone but there's a recognised rendition from Nat King Cole as well.
Cornell Campbell aka Don Cornell or Don Gorgon is best known for his trademark falsetto voice, his recordings at Studio One in the late 1960s and his later work with Bunny Lee in the 1970s. He was member of The Sensations, The Eternals and The Uniques.


The Heptones - Choice Of Colours

A number 1 hit by the Impressions & Curtis Mayfield from 1969. It's message is still very relevant. This brilliant song speaks for itself.
The Heptones were a Jamaican rocksteady and reggae vocal trio most active in the 1960s and early 1970s, the band consisted from Leroy Sibbles, Earl Morgan and Barry Llewelyn. They have been the musiscians on many a Studio 1 track as well as recording countless songs themselves. Leroy and Jackie Mittoo were the chief studio arrangers at Studio 1.


Winston 'King' Cole - Black Magic Woman

"Black Magic Woman" is a song written by Peter Green that first appeared as a Fleetwood Mac single in various countries in 1968, subsequently appearing on the 1969 Fleetwood Mac compilation albums English Rose (US) and The Pious Bird of Good Omen (UK). It became a classic hit by Santana and sung by Gregg Rolie in 1970, reaching #4 in the U.S. and Canadian charts, after appearing on their Abraxas album, becoming more closely associated with Santana than Fleetwood Mac.
Cole grew up at the same time Tosh, Marley and Burning Spear were taking off. He first major gig was with Zap Pow. He later moved to Canada where he opened a music store and created a band called Well Charged.
I know this cover didn't really fit the soulreggae bill but it snuck into the tracklist and sounded nice so I kept it here.


Hortense Ellis - People Make The World Go Round

Originally from The Stylistics this song is one of those classic community conscious soultracks. The Stylistics were one of the best-known Philadelphia soul groups of the 1970s. They formed in 1968, created from the remaining members of two defunct Philadelphia groups, The Percussions and The Monarchs.
Michael Jackson covered it with different lyrics in his 1972 hit album Ben.
It also featured on The Vineyard's first Soulreggae Podcast.
Here you can hear Hortense Ellis' version, she was a reggae musician, and the younger sister of Alton Ellis.  Her father worked on the railways while her mother ran a fruit stall. She was 18 years old when she appeared on the Vere Johns Opportunity Hour, then Jamaica's foremost outlet for young undiscovered talent. Her version of Frankie Lymon's "I'm Not Saying No At All" so impressed both audience and panel that she was invited back the following week. Ellis went on to enter many more competitions and showcases and she reached six semi-finals and four finals. In 1964 she was awarded a silver cup as Jamaica's Best Female Vocalist and went on to repeat this feat five years later.


Lloyd And Devon - Push Push

An incredible Funksoulreggae tune by Lloyd Robinson & Devon Russell.
Lloyd was one of the masters of the Studio 1 discomixes, especially with Devon with him at the mic.
Bus' it now star!


Leroy Brown - Color Barrier (7- Horns Version)

Leroy is backed here by Clint Eastwood, the album originally acredited it to Bad Bad Leroy Brown and His Defence Force. It features lots of those nice space-lazer sounds that we love so much.
The original: Ain't No Love in the Heart of the City is a 1974 R&B song written by Michael Price and Dan Walsh and first recorded by Bobby "Blue" Bland. A well-known cover of the song is by the hard rock band Whitesnake, who included it on their 1978 debut EP, Snakebite.
You can see that version here: http://www.youtube.com/watch?v=NSwRXaUbQzE&feature=related
This one is a reocurrance as it also featured in a different version on our previous Soulreggae Podcast, but it was to good to pass up...
The excessive sound FX are not by me but curtesy of Mr. Eastwood.


Irving Al Brown - Listen To The Music

"Listen to the Music" is a song recorded by The Doobie Brothers on their 2nd album Toulouse Street. This song remains a concert staple and is one of, if not the most famous song The Doobie Brothers have ever recorded.
See the original here: http://www.youtube.com/watch?v=29RvK7OI2Fg


Jimmy Riley - Sexual Healing

Marvin Gaye's classic comeback song from 1882. Gaye began his comeback with a series of European concerts, first in England and then two shows in Belgium, the second show being televised for Belgian television. I always prefer the slower versions like this one: http://www.youtube.com/watch?v=sxUWaX0Ta_Q
The writers had actually gotten their inspiration from listening to reggae music while in England. Gaye recorded the song in Ohain, Belgium, with the final mixes recorded in Waterloo. In the final lyric to the song, Gaye sings "Please don't procrastinate, it's not good to masturbate" as the music fades out.
Jimmy Riley grew up in the city's Waterhouse district and attended Kingston Senior School along with Slim Smith
He decided to form his own group, The Sensations, along with Cornell Campbell and later joined The Uniques. When he went solo Riley topped the UK reggae chart with this version.


Chosen Few - Theme From Shaft

The Chosen Few's take on Isaac Hayes' composition for the film of the same name.


Leroy Sibbles - Groove Me

At first, "Groove Me" was a B-side to another Floyd song, "What Our Love Needs." New Orleans radio DJ's started playing "Groove Me" and the song became a local hit. Atlantic Records picked up national distribution of "Groove Me," which topped the United States R&B chart and reached #6 on the Billboard Hot 100. This disc sold over one million copies, and received a gold disc.


The In Crowd - Mango Walk

The In Crowd were a popular Jamaican reggae showband of the late 1970s. Led by Fil Callender  (vocals and lead guitar), the band also included Errol Walker (lead vocals), Clevie Browne (drums, vocals), Tony Lewis (bass guitar, vocals), Freddie Butler (keyboards), and Wigmore Francis (guitar). The band also featured a horn section of Egbert Evans and Barry Bailey. Browne had previously been a member of The Browne Bunch.
The band were best known for two hit records, "We Play Reggae" and "Back a Yard", but also had reggae hits with "His Majesty Is Coming" and "Born In Ethiopia". They recorded two albums during their lifetime, His Majesty Is Coming and Man From New Guinea, the latter released on Island Records.
Callender went on to a solo career, while Browne became half of one of Jamaica's pre-eminent rhythm sections and production teams, Steely & Clevie


Lloyd Williams - Reggae Feet

Little is known about Lloyd, a.k.a. Senor Soul. This is original Jamaican Funk and features a bubbling bouncing bassline.  


Norma White & Brentford Disco Set - I Want Your Love

This is an Funk/Disco song composed by Bernard Edwards and Nile Rodgers of Chic. The track appeared on their 1978 album, C'est Chic. Originally intended for then-protégés, Sister Sledge, "I Want Your Love" went on to become a slightly-less successful follow-up to their classic smash, "Le Freak".
You can see the original here: http://www.youtube.com/watch?v=8UFhdYhE9ko
The Brentford Disco Set, also known as Brentford All Stars, Brentford Rockers and Brentford Reggae Band were another famous instrumental group who, apart from being known for backing Willie Williams on Armageddeon Time, are quite obscure.
 
 
Jennifer Lara - I Am In Love

With this tune we have officialy entered the disco portion of this podcast. The original is by Evelyn 'champagne' King and can be seen here: http://www.youtube.com/watch?v=iv_VjHNzoos&feature=related
King was discovered while working with her mother at Philadelphia International Records as a cleaning woman. A producer, Theodore T Life, overheard her singing in a washroom and began coaching her. This song reached #1 on the R&B singles chart and dance chart in August 1981
Jennifer Lara was a highly talented female singer who was under-rated. Lara joined the Studio One family in 1969, and soon afterwards released Studio One Presents Jennifer Lara, which would be her sole album on that label. Over the decades that followed, the entertainer continued to sing professionally, releasing several singles through Studio One, and singing backup vocals for a number of artists on the label. Her best-known single was an original titled Consider Me.

Jenny Taylor - Come Lay Some Loving On Me
Frequently compared to Aretha Franklin, singer Margie Joseph earned neither the fame nor the critical success lavished upon the Queen of Soul, but a series of excellent records for Atlantic during the 1970s nevertheless won her a spot in the pantheon of soul cult favorites. This tune was written by Paul Kelly.
As susual, there is nothing to be found on Jenny but we can all agree she takes this song to a next level.
 

Blood Sisters - Ring My Bell

"Ring My Bell" is a 1979 popular disco song by Anita Ward. It was originally written for Stacy Lattisaw, but when she signed with a different label, Ward was asked to sing it instead and it became her only major hit. You can see it here: http://www.youtube.com/watch?v=OvueI_5T2uk&feature=related
This version of the Blood Sisters became extremely popular after it featured on K-Jah radio in the GTA computergame.
Recently Mo'Times made a non-comissioned remake with Sizzla. You can get it for free here: http://www.reverbnation.com/motimes


Judy Mowatt - Rescue Me

We all know this song from Fontella Bass. See the original here: http://www.youtube.com/watch?v=QXSocE_M1G4
It would prove the biggest hit of Bass's career, reaching the number one spot on the R&B charts for four weeks and placing at number four on the Billboard Hot 100 in 1965. The song is often miscredited for one of Aretha Franklin but in fact, Ms. Bass had co-written the song.
Judy Mowatt started her career as part of the all-female singing group, The Gaylettes in 1967. In 1974, she got her big break by joining Bob Marley's backing vocal trio the I-Threes. Formerly a member of the Rastafari movement, in the late 1990s she converted to Christianity and now sings Gospel music.


Delroy Wilson - Funky Broadway

This is a song written by Arlester "Dyke" Christian. It was originally recorded by his band, Dyke & the Blazers, in 1967, and was made into a hit by Wilson Pickett that same year.
Delroy Wilson is one of those teenage wonders, starting recording when he was 13, that continued his success untill he died. Probably known best for his song Better Must Come which was chosen as an election campaign song by the PNP in 1972.
Also listen out for the 'borrowed' Stevie Wonder Uptight and Mustang Sally by Wilson Picket lyrics.


The Chosen Few - Do Your Thing

Another 1972 track by Isaac Hayes for the Shaft movie, once more by the wonderful Chosen Few. If you have the time, make sure you check out the version by Lyn Collins too.


Matumbi - Reggae Stuff

This one is best known as (Can't Get Enough Of That) Funky Stuff by Kool and the Gang.
Matumbi were one of top British reggae bands of the 1970s and early 1980s, and are best known as the first successful band of guitarist and record producer Dennis Bovell. In the early 1970s they acted as a backing band to touring Jamaican musicians in the UK but quickly graduated to become much more.


Hopeton Lewis - Funky Kingston

Hopeton remakes this Funk Classic originally by The Beginning of the End.
The Beginning of the End was a funk group from Nassau, Bahamas. The group consisted of three brothers and a fourth member on bass. The track "Funky Nassau - Part I", covered here, became a hit single in the U.S., peaking at #15 on the Billboard Hot 100 chart, and #7 on the Billboard Black Singles chart.
Hopeton recorded the first 'herb' song ever recorded in Jamaica, "Cool Collie". He worked for Duke Reid as an arranger and backing vocalist, and won the Festival Song Contest in 1970 with "Boom Shaka Lacka".


The Pioneers - Papa Was A Rolling Stone

This song was written by Motown songwriters Norman Whitfield and Barrett Strong as a single for Motown act The Undisputed Truth in 1971. Later in 1972, Whitfield, who also produced the song, took "Papa Was a Rollin' Stone" and remade it as a twelve-minute record for The Temptations, which was a number-one hit on the Billboard Hot 100 and won three Grammy Awards  in 1973. While the original Undisputed Truth version of the song has been largely forgotten, The Temptations' version of the song has been an enduring and influential soul classic.
If you'd like to know how to dance to it, check this: http://www.youtube.com/watch?v=0g7KawdsVSQ&feature=fvw
The Pioneers Were best known for their version of Long Shot Kick The Bucket, after a racing horse of the same name died and producer Leslie Kong wanted a song for it.


Derrick Harriott & The Chosen Few - Message From A Blackman

Message From a Black Man is a Black power song with a militant refrain: "no matter how hard you try/you can't stop me now". Message From a Black Man was a popular radio request in 1969, although the Temptations themselves, who thought the record too forward, never performed it live. Originally it was a song from The Spinners in 1970.
Many Jamaican artists were in love with this tune, it has seen covers from The Heptones as well as other less known versions. This one is by Derrick Harriot, who started his career in the group Jiving Juniors. He had hits with Loser, What Can I Do, The Jerk and Solomon.
In 1971, Swing magazine named Harriott the Top Producer of 1970. He was one of the first producers to use King Tubby mixing talents at his Waterhouse studio, issuing one of the earliest dub albums.

Mixed & arranged by Dj Lightah.

If you enjoyed this podcast, please leave a comment & send to your friends. Thanks.

Welcome to the latest Vineyard Podcast.

This is a special mix featuring some of Jammy's best riddims.
Feel free to comment & send this to your friends.
Thanks for listening an please visit again.

Who is King Jammy?

King Jammy is perhaps best known for evolving reggae to the digital sound that ruled the 1980's.But his roots stem back to the analogue age of the 1970's working alongside King Tubby in those heady days when the King was still Prince Jammy, and the sounds made were Roots,Rock Reggae .....

[ Born, Lloyd James. 1947.Montego Bay,Jamaica ]Jammy's family moved to the Waterhouse district of Kingston Jamaica in 1956.Like King Tubby who would become his mentor,his connection to music grew through the building of amplifiers and repairing of electrical equipment.He had his first sound system 'Jammy's Hi - Fi', up and running by 1962 and in the years that followed would see his amps used on the up and coming local Sound Systems like 'El Toro','Lord Kelly' and 'Emperor Faith'.

Word soon got around to King Tubby that Jammy had a talent with electronics and as they were nearly neighbours, Tubby would have him over to his yard repairing various pieces of equipment.The early 1970's saw Jammy leave Jamaica for what initially was to be a few weeks trip to Canada,but this was to last 5 years.He continued his involvement in music and worked with various Sound Systems in Canada, and kept in regular correspondence with King Tubby over the musical happenings in Kingston, Jamaica.

His return in 1975 coincided with Phillip Smart,who was King Tubbys main engineer and his emigration to New York.Jammy was offered and then took the permanent job that at the time was being filled by the singer Pat Kelly.This would begin the many sessions that took place at Tubby's 4 track studio at his house, 18 Dromilly Avenue, with Jammy at the desk.He learned his craft during those prolific times,working on the numerous sessions where Tubby trusting Jammys judgment ,would often leave him to run the desk.One of these first sessions was with Producer Bunny Lee,another great influence, who would give him his monicker, Prince Jammy.

During this time Jammy was also building a studio at his house, 38 St. Lucia, a stones throw from Dromilly Avenue, he started his own label in 1978,under the name Jammy's.Its first release would be Black Uhuru's,'Natural Mystic'. His knowledge of the Sound Systems in Kingston, meant that he was aware of new and upcoming music and would see him working with such local talent as Half Pint,Echo Minott,Junior Reid and Anthony Johnson to name but a few.Jammys star was rising with many hits under his musical belt.But it would explode in 1985 when he cut a track with another local called Wayne Smith.The track would be called 'Under me Sleng Teng'.Built on a computerised rhythm, it would change the sound of reggae for the whole of the 1980's.When digital tunes ruled the dance floor and Prince Jammy would be crowned King Jammy for the rest of the decade.
But on this release we are going to concentrate on Jammy's recordings cut in the late 1970's when analogue was still the dominant sound.Although his work at King Tubbys is where he cut his musical teeth.Tubbys studio was mainly used for voicing tracks over already recorded rhythms and cutting the dubs.So when Jammy wanted to cut a fresh rhythm with a band he mainly used the Channel 1 Studio, which was the studio of choice at the time.

-- source: Jamaicanrecordings.com.

Tracklist:

Little John - Nuff A Dem A Gwan
Johnny Osbourn - Rock It Tonigh
Admiral Bailey - Think Me Did Done
Pad Anthony - Ah Murder
Leroy Gibbons - Lovers Question
Admiral Bailey - Horse Tonic
Little Twitc - Spanish Fly
Coco Tea - Medley
Cocoa Tea - Crying Time
Pinchers - For Your Eyes Only
Super Black - Deh Wid You
Tullo - None Of That
Cocoa Tea - Can'T Stop Cocoa Tea
Ken Boothe - No No No
Tonto Irie - Experience
Anthony Malvo - Bad Minded Peopl
Chuck Turner - I Need You
Johnny Osbourne - On The Right Track
Josey Wales - Whole Heap Of Corn
Little John - Block Traffic
Coco Tea - Come Again
Admiral Bailey - Politician
Lt. Stitchie - Wear Yu Size
Anthony Redrose - Tempo
Johnny Osbourne - People Are You Ready
Nitty Gritty - Hog Inna Minty
Pad Anthony - In Deh
Tonto Irie - It A Ring
Dennis Brown - The Exit
Johnny Osbourne - What A La La
Nitty Gritty - False Alarm
Nitty Gritty - Good Morning Teacher
Eccleton Jarret - Give Thanks & Praise
Wayne Smith - Come Along
Eccleton Jarret - Give Thanks & Praise
Wayne Smith - Come Along
Wayne Smith - Under Me Sleng Teng
Wayne Smith - Under Mi Sleng Teng
Tenor Saw - Pumpkin Belly
Johnny Osbourne - Buddy Bye
Echo Minott - Original Fat Ten
John Wayne - Call The Police
Nicodemus - Eagles Feather
Cocoa Tea - Hey Bobby
Pad Anthony - Cry For Me
Pinchers - Agony
Major Worries - Me Nuh Response
Admiral Bailey - Big Belly Man
Pompidoo - Synthesizer Voice
Risto Benj - Don'T Pirate I
Shabba Ranks - Must Love Reggae
Super Black - Deh Wid You
Cocoa Tea - Tune In
Ot Azoj Klezmerband - I Like Yvonne
Ninja Man - Nice Up The Lawn
Sanchez - Here I Am
King Kong - Let Jah Arise
King Everald - Dancehall Business
Jah Mikey - Footprints
Josey Wales - The General
Cocoa Tea - Young Lover
Leroy Gibbons -Samfie Girl
Chuck Turner -Run Around Girl
Eccelton Jarrett -Turn On The Heat
Junior Reid - Boom Shack A Lack
Junior Delgado - Liberation
Cocoa Tea - Death In The Stadium
Brian & Tony Gold - Pass Me A Dub Plate
Wayne Smith - E20
Nitty Gritty - Draw Mi Mark
Frankie Paul - Leave It To Me
Johnny Osbourne - Chain Grabber
Sugar Minott - Conscious Lover
Dean Fraser - Dean In Chinatown
Horace Andy- Love Light Of Mine
Chuck Turner- We Rule
Eek A Mouse - Taller Than King Kong
Travellers - Joy Bells Ringing
Brian & Tony Gold - King Jammy You Hit Me


Video's:

http://www.youtube.com/watch?v=QhDtlFmiS2U&feature=related
http://www.youtube.com/watch?v=_O3LI-xSFqE&feature=related
http://www.youtube.com/watch?v=AlzsrtlXm2w&feature=related
http://www.youtube.com/watch?v=FsU3lcrE63Y&feature=related
http://www.youtube.com/watch?v=fmzNaeUMKU0&feature=related
http://www.youtube.com/watch?v=H0WjuegxIFg&feature=related


Wikipedia: http://en.wikipedia.org/wiki/King_Jammy

Please note:

Due to space limitations this file is now available offsite in MP3 format.

Click here to download the Vineyard Party Mix

It's been a while since the last one but yeah... life keeps me busy.
This one was requested by several people, mainly my sister and it's an effort to make a mix that gets your dancing

feet moving. I hope you enjoy this Jamaican party. Please post a comment, thanks.

Before you start to listen, you'll need some of this:

http://www.youtube.com/watch?v=GHUHAEtKH5c&feature=player_embedded

Here's the tracklist and some facts:

The Viceroys - My Mission is Impossible

Recorded in Chinna’s yard, Kingston 10, November 2005, by Clive “Dub King” Geffrey & Earl Smith Jnr.  Produced & arranged by Earl “Chinna” Smith & The Viceroys.

http://www.youtube.com/watch?v=1pjZ36AbrD0&feature=player_embedded

Black Uhuru - Bad Girl

Black Uhuru are a Jamaican reggae group formed in 1972, initially as Uhuru (Swahili for 'freedom'). The group has undergone several line-up changes over the years, and had their most successful period in the 1980s, with their album Anthem winning the first ever Grammy Award for Best Reggae Album in 1985.  This girl will break your heart.

Cornell Campbell - My Country

Cornell Campbell aka Don Cornell or Don Gorgon is best known for his falsetto voice, his recordings at Studio One in the late 1960s and his work with Bunny Lee in the 1970s. This song is about rasta's having no place in Jamaican national prode while Cornell sings it's his country too.

Junior Delgado - Tonight

A respected Jamaican roots singer, Junior Delgado rose to fame in the late 70's and early 80's. He got his start in the group Time Unlimited, but went solo in 1975. On later albums he experimented with disco and other trends, while remaining close to his roots. This one is another stepper-lover classic.

Capital Letters - Smoking My Ganja

Capital Letters were a reggae band out of Wolverhampton, England. A move to Shepherds Bush, Middlesex in 1977 set them in place to become one of the Greensleeves label's first signings. Their single "Smoking My Ganja" blew the woofers out of UK soundsystems throughout '78.

Stephen Marley - Iron Bars (Feat. Julian Marley, Mr. Cheeks & Spragga Benz)

Stephen Marley's debut solo album won Best Reggae Album at the Grammys' 50th annual ceremony on Feb. 10. A member of the celebrated Marley sibling group The Melody Makers since the age of seven. Born in 1972, the second son of Bob Marley, Stephen was dancing and singing onstage during his father and The Wailers' live shows by the time he was old enough to walk.

http://www.youtube.com/watch?v=_Js0xjXppR8&feature=player_embedded

Seeed - Respectness

German dancehall, one of their slower tunes and almost complete in english. Founded in `98, Seeed might be aptly described as a product of multi-ethnic, multi-lingual Berlin and the city’s burgeoning, club-based dancehall scene that came of age at around the same time. In this song they teach that when you give respect, you get respect.

http://www.youtube.com/user/seeed

Ken Boothe - No No No

His recording career began in the late 1950s when he formed a duo with his neighbour Stranger Cole as 'Stranger & Ken. Boothe was awarded the Order of Distinction for his contribution to Jamaican music by the Jamaican government in 2003

Tonto Irie - Experience

Tonto is known from his work at King Jammy's studio, here he makes a fine toasting version of No No No

John Wayne - Call De Police

Another Jammy Rocket and the first of several sleng Teng Riddims.

Sleng Teng is the name given to the first fully computerised riddim in Jamaican music. The riddim created by the collaboration between King Jammy and Wayne Smith's was entitled "Under Me Sleng Teng". However, in this case Wayne Smith was the one who had found the computerized sound in Noel Davey's keyboard. Together they were the ones who arranged the riddim, slowed it down, matched it to his key, and rehearsed on it before taking it to Jammys studio. The riddim itself is apparently an attempt to recreate Eddie Cochran's "Somethin' Else". It is a pattern found in the Casio MT-40 home keyboard.

After the riddim was brought to the studio and Jammy heard it, he then placed a clap on it. Jammy recorded a number of other artists on the original backing track including Tenor Saw (with "Pumpkin Belly"), and Johnny Osbourne (with "Buddy Bye"). The tunes were first unleashed at a now legendary soundclash between Jammy's own sound system and Black Scorpio at Waltham Park Road on February 23, 1985. King Tubby, who had originally taught Jammy how to produce music, was inspired by the track to create his own "Tempo" riddim. Sleng Teng is among the most versioned of Jamaican riddims, listing over 180 versions. The riddim was updated by Jammy in 2005 (slightly speeded up, with added horn riff) and this variation is known as "Sleng Teng Resurrection". Several new cuts on the original Sleng Teng were also released by Jammys in 2005 in celebration of the riddim's 20th anniversary.

http://www.youtube.com/watch?v=v_tuOULFcWw&feature=player_embedded

Cocoa Tea - Hey Bobby

Cocoa Tea was one of the few early dancehall stars to carve out a consistent, productive career as the genre evolved over the years. His cool-toned, laid-back vocals were perfect for sweet, smooth lovers rock, and gave him a distinct identity. Hey Bobby refers to Bobby Digital and is another smoking Sleng Teng version.

Wayne Wonder - Someone To Hold

The sensual, honeyed vocals of Wayne Wonder have made him a consistent hit maker since the late '80s. Wayne's initial singing inspiration came from attending Sunday school. The exposure to vintage 45's at dances would provide Wayne with a richer, more soulful vocal approach to a Reggae rhythm track than many of his contemporaries. It was at secondary school where Wayne's thoughtfulness and philosophical nature led to the acquisition of the nickname "Wonder".

Tanya Stevens - Learn Fi Choose

The quintessential Jamaican singer / songwriter, Tanya Stephens is equally adept at blazing the latest dancehall riddims as she is at blessing an acoustic guitar-driven ballad. Here she toasts over an uptempo Sleng Teng as she advises a girl to choose a man before she loses her love.

Capleton - Pure Sodom

One of a large family, he was a troubled youth who found solace in music, begging from the age of 12 to attend as many dances as he could. When he was 18, he moved to Kingston and while honing his deejay skills with local sound systems, worked assorted odd jobs. He got his big break when he was asked to audition for a Toronto -based sound system, African Star. Capleton so impressed the owner that he hired the youth on the spot. It was while performing in Toronto that Capleton began making a name for himself. This politically incorrect Sleng Teng version is Capleton's opinion on gays.

Junior Reid - Boom Shack A Lack

Reid was born in the Tower Hill area of Kingston, and had a tough upbringing in the city's Waterhouse district, notorious for being one of the most dangerous places in Jamaica. It was there in the politically turbulent late '70s that he recorded his first-ever single "Speak the Truth" at the age of 13 for the late Hugh Mundell. Here he features on the first of four World Jam Riddims.

Ini Kamoze - World A Reggae

He is best known for his signature song, "Here Comes the Hotstepper", which was released in 1994, and subsequently topped the charts all over the world. Both the riddim (known as "World Jam") and the hook of Damian Marley's 2005 hit, "Welcome to Jamrock" were sampled from Kamoze's 1984 track "World-A-Music", giving Kamoze co-writing credits. The other originators of the riddim being Sly and Robbie.

Damian Jr. Gong Marley - Welcome To Jamrock

Welcome to Jamrock is a Grammy winning reggae album by Damian Marley. covers issues such as crime, poverty and political corruption as part of the harsh reality of "Jamrock", Marley's personification of Jamaica, as opposed to the Jamaica advertised as a popular tourist destination. Marley laments Jamaica's high crime rate and unceasing violence, demanding that those in charge do something about it. In this sense he carries on the legacy of his father before him, in inspiring Jamaicans to stand together. The originally-released recording contains the lyrics Funnyman a get dropped like a bad habit. A 'funny man' has in Jamaican English the same meaning like 'batty bwoy' or 'chi chi man', both pejorative designations for homosexual men. Since the widely-spread homonegativity in Jamaica and its reflections in popular Jamaican music has been a subject of heavy criticisms and protests outside of Jamaica, the word "Funnyman" has been edited out on following releases and remixes of the song, and when performing the song live Marley uses the word 'Babylonians' instead.

http://www.youtube.com/watch?v=_GZlJGERbvE&feature=player_embedded

Anthony B - World A Reggae Music

B grew up in rural Clark's Town in the northwestern parish of Trelawny in Jamaica. His deeply religious family life imbued him with a profound spirituality. Anthony B adopted Rastafari movement beliefs as a teenager, a decision which was not well-received by his family. He is a member of the Bobo Ashanti branch of the movement. "Bobo Dreads", as they are known, are recognizable by their long robes and turbans. They function similarly to the Accompong Maroons, even though it is not official, like an independent nation within Jamaica with their own constitution. They do not accept the values and lifestyle of the general Jamaican society.

Freddie McGregor - Artibella

Freddie McGregor is one of reggae's most durable and soulful singers, with an incredibly steady career that started all the way back in the '60s, when he was just seven years old. Since then, he's spanned nearly every stylistic shift in Jamaica. At age seven, he started singing backup for a local ska harmony duo called the Clarendonians. Here we hear him redo Ken Boothe's Atribella. 

Johnny Osbourne - Rock It Tonight

Johnny Osbourne was born in 1947 and grew up in Kingston, Jamaica. He became interested in music while attending the Alpha Boys School, a school renowned for both strong discipline and excellent musical education. In 1980, with his innovative Studio One album under his belt, Johnny reunited with producer Lloyd "Prince Jammy" James, who had been his friend in Canada. This Jammy track is often overlooked for the Sleng Teng "Buddy Bye" but still a killer song.

Leroy Gibbons - Lovers Question

Leroy Gibbons burst on the dancehall scene in the mid-1980s with his strong voice and Lovers Rock style. He fell in with the Jammys camp, performing over the King Jammys sound system regularly and recording the popular album “This Magic Moment” for the label as well. He is known mainly for cover versions of oldies, such as “Cupid”, “This Magic Moment” and “Stir It Up” as well as a few of his own originals. Leroy most recently was in Jamaica performing several dates for King Sturgav in the latter half of 2007. He now lives in Canada. Here he wonders if he should be worried when his girl is out on her own.

Josey Wales - Everyone Hustling

He was considered by some, along with Brigadier Jerry, Yellowman and sound system partner Charlie Chaplin, one of the best deejays of the 1980s. His gruff, gravelly voice and half-spoken, half-sung delivery were instantly recognizable, and were copied by many an up-and-coming DJ. Wales is named after the 1976 Western movie character from The Outlaw Josey Wales, played by Clint Eastwood, and subsequently nicknamed "The Outlaw". Here he sings about everyday street life in the ghetto where everyone is hustling.

Gregory Isaacs - Rumours

One of Jamaica's most beloved vocalists who is as pertinent in dancehalls as he is in bedrooms, Gregory Isaacs' career has stretched over 30 years. From the heady days of reggae through lovers rock, a genre he virtually invented, his talent reached into the modern age.

http://www.youtube.com/watch?v=8P3k8nT17CM&feature=player_embedded

Ruben - Hard Times

Reggae recording artist, Ruben, alongside reggae giant Tristan Palmer in a Mo'Times Release (Produced by R.Ramlagan aka Mo'Times Productions). Contains elements from Tristan Palmer - Times so Hard (originally produced by Jah Thomas on the Midnite Rock Label) You can get this song for free at: http://www.reverbnation.com/motimes

Jah Thomas - Girlfriend

Jah Thomas was an important figure on the Jamaican music scene during both the roots era of the '70s and the subsequent dancehall decade of the '80s. Besides releasing several DJ sides of his own in the latter half of the '70s. Thomas also came into his own as one of the island's top producers for both singers and DJs. Many of these sides found their way to the dub studios of King Tubby, who transformed a wealth of Thomas' rhythms into a some of the best dub tracks to emerge from Jamaica. Here he versions himself (times so hard) and follows up with a dub.

Winston Watson & Dillinger - Dispensation

“The Meditations” are among the most beloved and respected harmony trios to emerge from the roots era of reggae during the 1970s. The group was formed in 1974 by three talented singers and songwriters: Ansel Cridland, Danny Clarke and Winston Watson. Here we hear him solo, backed by Dillinger. As a young man growing up in Kingston, Dillinger would hang around Dennis Alcapone's El Paso sound system. This exposure would eventually lead to work in 1971, as a deejay on the Prince Jackie and El Paso sound systems.

In Christianity, the dispensation (or administration) of the fulness of times is thought to be a world order or administration in which the heavens and the earth are under the political and/or spiritual government of Jesus.

Welcome to a new podcast by The Vineyard, selected and mixed by Dj Lightah.
This one focusses on the ultimate niceness of two music gernes combined: Soulreggae!
As many of you know reggae artists have always been inspired by other forms of music and vice versa. This mix is an attempt to bring you the best these two worlds have to offer.
The track is non-stop, no voice overs and is unedited but has a soudquality of 5/5. Some mixes were botched but not too bad. Please add a comment if you liked it.
Also, visit our myspace & facebook pages for more info.

Tracklist & comments.

1. Vineyard Intro (0:32)
2. The Chosen Few - I'm Going Down For The Last Time Version (2:51)
The Chosen Few evolved from The Federals and were mostly recorded by Derrick Harriot or Lloyd Charmers, they were expert in mixing soul with reggae as you can hear on this track.

3. Carl Bradney - Slipping Into Darkness (3:05)
Appears on Darker Than Blue: Soul From Jamdown (blood & fire) & describes the struggle of young jamaicans to be accepted in the world.

4. Derrick Harriott & The Chosen Few - Message From A Blackman (3:51)
A cover from the great soul group The Temptations, a lot of other artist cover it as well but this one is sure to be the finest version.

5. Al Brown - Love And Happiness (5:27)
Originally from Al Green, it was was ranked number 98 on Rolling Stone magazine's list of the 500 greatest songs of all time.

6. Al Brown - Ain't No Love In The Heart Of The City (3:26)
"Ain't No Love in the Heart of the City" is a 1974 R&B song written by Michael Price and Dan Walsh and first recorded by Bobby "Blue" Bland for the ABC Dunhill album Dreamer. While Bland scored a minor hit with the song, landing in the top ten of the R&B charts, it is perhaps best known through cover versions and samples. While it is ostensibly a love song, some critics have also heard it as a lament on urban poverty and hopelessness; the reggae singer Al Brown's cover version even changes most of the lyrics to magnify this emphasis.

7. Alton Ellis - It's A Shame (2:48)
Credited to The Spinners, this version by Alton Ellis appears on Soul Jazz Records Studio 1 Funk 45's
8. Barry Biggs - One Bad Apple (2:48)
"One Bad Apple" was a single released by The Osmonds in December 1970. The single hit number-one on Billboard's Hot 100 Chart in February 1971 and stayed there for five weeks. The song was written by George Jackson who originally had the Jackson 5 in mind when he wrote it. According to Donny Osmond, Michael Jackson later told him that the Jackson 5 almost recorded this song first, but instead chose to record ABC instead.

9. Cynty And The Monkeys - Lady Lady (3:03)
This cover was produced by Lee Perry and is one of the few tracks ever released by this group.
10. Tomorrow's children - sister big stuff (2:53)
This killer version of Jean Knight's Stax hit track takes you on a funky reggae trip, used to be sought after by collectors worldwide since Tomorrow's Children were hard to find. Thanks to Trojan Records this is no longer the case.
11. Delroy Wilson - Inner City Blues (4:10)
Originally a song by Marvin Gaye, released as the third and final single from his 1971 landmark album, What's Going On. The song depicted the ghettos of inner-city America as it discussed how the bleak situation would lead to someone wanting to holler and throw ones hands up.

12. Inner Circle - Rock The Boat (2:49)
A disco song by the group Hues Corporation in 1974. It is sometimes considered the first disco record to reach number one on the Billboard Hot 100 in the United States.

13. Messengers - Crowded City (3:01)
This one was also covered by The Melodians but originally it was a theme from the tune Smiling Faces by The Temptations. The Messengers were a short lived group consisting of (among others) Ken boothe, Busty Brown & Lloyd Charmers.

14. Judy Mowatt - Rescue Me (3:07)
Before she became a member of Bob Marleys backing band The I-Threes Judy recorded this cover from Fontella Bass for Studio 1. The hit version of the song is often misattributed to Aretha Franklin because of a very similar voice.

15. Matumbi - Brother Louie (3:05)
"Brother Louie" was a song about an interracial love affair. The title was written and sung by Errol Brown and Tony Wilson of the group Hot Chocolate and was a top 10 UK chart hit for the band in 1973.one of the earliest and most influential is also one of the least known in the US and one whose music is frustratingly difficult to find. Matumbi, whose greatest claim to fame on this side of the Atlantic (europe) is as a launch pad for the career of producer/dub master Dennis Bovell, was one of Great Brittains greatest soul-roots bands.

16. Marcia Griffiths - Band Of Gold (3:14)
First published in 1955 the song was remade by Freda Payne. Almost immediately following its release the Payne record became an instant pop smash, reaching #3 in the US and hitting #1 on the UK singles chart and remaining there for six weeks in September 1970, giving Payne her first gold record. Marcia Griffiths probably covered it after her break up with Bob Andy.

17. Pat Rhoden - Living For The City (3:01)
A 1973 hit single by Stevie Wonder for the Tamla (Motown) label, the record is driven by a slow bass synth groove (provided by the enormous TONTO modular synthesiser) that manages to exude a certain amount of tension, an appropriate soundscape for the angry social commentary of the song.

18. Marcia Griffits Jingle - Light eyez (0:28)
Thanks Macia

19. Norma Fraser - Respect (2:50)
This 1868 track is a cover from Aretha Franklin's signature song, recorded @ Studio1

20. Donovan Carlos - Be Thankfull (3:03)
This 1972 track by William DeVaughn instantly takes you to the back seet of a 70's lowrider cruising in the sun. Don Carlos began singing in 1973 as a member of Black Uhuru but this one he released as Donovan Carlos for Lee Perry's Black Arc studio.

21. Carl dawkins & the wailers - cloud nine (3:09)
A cover from the 1968 hit single recorded by The Temptations for the Motown label and won Motown its first Grammy Award. The lyrics for the song were about the struggles and pains of living poor, as opposed to being about relationship and love troubles. The broke, unemployed, and despondent main character in the song proclaims that he gets over all of his problems by "riding high on 'cloud nine'". This has been interpreted by many as a reference to drug use (duh).

22. Matumbi - Law Of The Land (3:06)
Another great Matumbi cover from The Temptations.

23. Lloyd Charmers - Just My Imagination (3:23)
When released as a single, "Just My Imagination" became the third Temptations song to reach number one on the US Billboard Hot 100. The single held the number one position on the Billboard Pop Singles Chart for two weeks in 1971. "Just My Imagination" was the result of one of the few times that Whitfield relented and produced a ballad as a single for the group. Whitfield and Strong wrote the song in 1969, but with the Temptations' psychedelic soul singles consistently keeping them in the US Top 20, Whitfield and Strong decided to shelve the composition and wait for the right time to record it. In late 1970, the Temptations' single "Ungena Za Ulimwengu (Unite the World)", a psychedelic soul song about world peace, failed to reach the Top 30, and Whitfield decided to record and release "Just My Imagination" as the next single.

24. The Gaylettes - Groovin' (3:11)
Groovin' is a single released in 1967 by The Young Rascals that became a number one hit in May 1967. It was subsequently recorded by the likes of Booker T. & the M.G.'s (1967), Aretha Franklin (1968), Gladys Knight & the Pips (1968), and Marvin Gaye (1969).

25. Norma Frazier - First Cut is the Deepest (3:08)
A 1967 song written and sung by Cat Stevens but best known for the rendition of Rod Steward (1976). For Norma it became her N°1 hit record.

26. Lloyd Charmers - Darker Than Blue (2:58)
Originally by Curtis Mayfield this song is one of Lloyds first solo songs after leaving The Charmers, The Uniques & The Messengers.

27. Derrick Harriott - Eighteen With A Bullet (3:42)
Perhaps the reason DJs loved this more than listeners is that it’s really aimed at them. It brings back memories of the Jimi Cliff movie: "The harder they come". Originally by one of the few white soul singers Pete Wingfield.

28. Junior Byles - If You Don't Know Me By Now (3:08)
Originally by Harold Melvin & the Blue Notes, which became their first hit after being released as a single in 1972, topping the R&B chart and peaking at number three on the Pop chart. It was later covered by the English pop/soul band Simply Red, also becoming their best-known hit after reaching number one on the U.S. Hot 100 on July 15, 1989 and peaking at number two in the UK Singles Chart.

29. The Chosen Few - do your thing (3:17)
Another Chosen few cover of a great Soul Classic by Bernie Mac & Isaac Hayes. Samuel L. Jackson sings it in the 2008 movie Soul Men, which is just funny but a crappy movie.

30. Chosen Few - I Second That Emotion (3:02)
Motown Legend Smokey Robinson had great success with this one. The song finds lead singer Smokey Robinson courting a girl who, weary of the game of love, prefers to string her men along and not get romantically involved. Robinson "wants no part" in such a relationship, but promises that if the girl changes her mind, he'll be around.

31. The Gaylettes - Here Comes That Feeling (2:34)
The Gaylettes second feature in this line up is a great closer for this soulreggae mix. Judy Mowatt, Beryl Lawson and Merle Clemonson. A.k.a. The Gaylets. Formed in 1967. The group split 1970 when Lawson and Clemonson left for America, escaping the violence & poverty. It's a cover but I couldn't find the original artist, sorry. Feel free to drop me a line if you know it.

Thanks for listening to this podcast & thanks for supporting your local crew, feel free to add comments & Stay tuned to The Vineyard.

Peace!

Lightah.

Please note:

Due to space limitations this file is now available offsite in MP3 format.

Click here to download the Killah Classics Mix.

Killah Classics Megamix By Dj Lightah from The Vineyard on Radioscorpio 106 FM.

For more info visit:

www.radioscorpio.com/thevineyard

www.myspace.com/vineyardradio

These are some of the best classic reggae tunes. The most played and appreciated songs from the Vineyard Radio show based in Leuven, Belguim.
Come & listen, leave a comment & tell your friends. All roots reggae Killah Classics!

Track List (unfinished): 1 Vineyard Intro 00:32 2 Track11 Various Artists 03:02 3 Track21 Various Artists 03:13 4 Truth & Right Ras Michael & The Sons Of Negus 04:21 5 Fire At Your Heel Roman Steward 02:59 6 Viney01 00:08 7 False leaders Ronnie Davis 03:19 8 One Love - the slave trade 03:35 9 All I Want to Do Wayne Jarrett 03:27 10 Viney02 00:19 11 Jahovia Sugar Minott 02:45 12 Nora Dean - Peace Begins Within 02:54 13 Ordinary Man Lloyd Parks 03:00 14 Viney03 00:13 15 Viney03 00:13 16 Mammy blue Byron Lee & The Dragonnaires 02:28 17 Ghetto Girl Holt, John 02:53 18 Truths & Rights Johnny Osbourne 03:03 19 Take a Ride Al Campbell 03:00 20 H Andy Jingle03 00:28 21 Get Ready (12" Mix) Delroy Wilson 05:40 22 The Heptones - Through the fire I come 06:35 23 Track20 Various Artists 03:24 24 Riding high on a windy day The Paragons 02:51 25 Leroy Smart - We want to go home 03:06 26 Artibella Ken Boothe 02:16 27 I Love Jamaica [Neville Willoughby] Trojan Records 03:03 28 Kingston Town UB40 03:46 29 Leroy Heptones jingle 00:24 30 Stop that train Various Artists 03:18 31 Worries in the dance Frankie Paul 03:31 32 Ttable rewind 00:02 33 Tristan Palma Jingle 00:27 34 Joycie Little John 03:01 35 Malcom X Earl Sixteen 03:39 36 Golden throne Peter Broggs 05:12 37 Fade Away Johnny Clarke 03:11 38 We Rule Chuck Turner 03:15 39 Fari Captain of My Ship Max Romeo & Jah Shaka 03:55 40 Eek-A-Mouse - Ganja Smuggeling 03:42 41 Cuss Cuss Lloyd Robinson 06:27 42 Jazzbo Jingle 01 00:11 43 H Andy Jingle01 00:51 44 Willie Williams - Argmadeon Time Willie Williams 02:30 45 Blessed Dub Barry Brown & The Aggrovators & King Tubby 04:15 46 Barry heptone jingle 00:16 47 Johnny Clarke - Blood Dunza 03:20 48 Earl zero - none shall escape the judgement earl zero 06:07 49 Track18 Various Artists 03:28 50 Abendigo The Abyssinians 03:36 51 Still Is Still Moving To Me Toots & The Maytals Feat. Willie Nelson 03:11 52 Material Man U Roy 03:52 53 Track13 Various Artists 03:41 54 When I Fall In Love Don Mais 02:39 55 Cherrie Oh Baby Eric Donaldson 03:01 56 Viney01 00:08 57 Rudy, AMesage to You Dandy Livingstone 02:40 58 Willie Francis - Oh what a mini 02:41 59 No No No K.C. White 03:36 60 Up Town Top Ranking (Althea & Donna) Joe Gibbs 03:51 61 Marcia Griffits Jingle Marcia Griffits Jingle 00:28 62 H Andy Jingle02 00:36 63 Blood Sisters / ring my bell Various Artists 08:00 64 Words of the farmer Gregory Isaacs 04:09 65 Viney03_serievan3 00:19 66 Channel One In Dub Sly & Robbie 03:42 67 Guns In The Ghetto Broadway 03:30 68 Chant Down Babylon Slyford walker 03:18 69 Jah Jah dreader than dread Linval Thompson 03:44 70 Sticksman Black Slate 03:46 71 Working Class Ringo 03:06 72 Ready, Aim, Fire Pablo Mozes 04:23 73 Rod of Jahovia Unknown 05:13 74 Viney02 00:19 75 Black Skin The Prophet - Red Blood 03:24 76 Linval Thompson - Blood Gonna Run 03:31 77 Addis a baba Willie Williams 03:37 78 Johnny Clarke & U Roy - Every knee shall bow (ext) 06:39 79 General Dennis Brown (feat. Ranking Dread) 05:01 80 Hard times Various Artists 04:48 81 One Big Ghetto Half Pint 03:12 82 Black Roses Barrington Levy 03:22 83 Phillip Frazer - You're no good 05:15 84 What about the half? Dennis Brown 02:46 85 sinners justin hinds & the dominoes 03:05 86 John Brown John Clarke 02:52 87 Reggae Music Prince Far I 03:57 88 Viney03 00:13 89 Viney02 00:19 90 Viney03_serievan3 00:19

The show is unformatted, unedited and is a non stop track of 4+ hours. Soundquality is 3/5.